A daily look at a historic river and more
Decided to play a bit with some of the presets in Lightroom. Love to hear what anyone thinks.
All opinions requested.
Reblogged this on Preserve The Dead and commented:
“It’s a hand-me-down, the thoughts are broken. Perhaps they’re better left unsung. I don’t know, don’t really care. Let there be songs to fill the air.” Lyrics by Robert Hunter, Sung by The Grateful Dead
Well, I am not a photo anything: so here is my take.
The first looks like water.
The second looks like wallpaper.
The third looks like the desert.
The fourth looks like a waffled sky.
There…from one who likes to look at beautiful original photos that record a moment in time!
I like them all. The original is striking, the sepia mysterious, the selenium chilly, the other blue evocative of endless open ocean…They do all strongly evoke different things, different moods. An interesting exploration, and literal journey of looking through different filters and how that alters one’s point of view. Always good to be reminded of the fact that perspective is everything. Thank you.
Thank you for comments and thoughts. It seems to depend on which part of your mind is doing the viewing.
I like them all. The original is striking, the sepia mysterious, the selenium chilly, the other blue evocative of endless open ocean…They do all strongly evoke different things, different moods. An interesting exploration, and literal journey of looking through different filters and how that alters one’s point of view. Always good to be reminded of the fact that point of view is everything. Thank you.
Wow, I really like all of them, and I suppose it depends on the mood you’re in or going for as to when to use what. The differences from the original are striking, but I prefer the original. I’m not fond of the sepia, but blues are very calming, so I always enjoy them. Cheers! Jerri
Thanks Jerri. Sepia is a specific taste.
Sepia could make an interesting book cover. Mysterious–what does the water hold.
That is a question (“What does the water hold”) we don’t always want the answer to
It’s awfully easy to get sucked into all the bells and whistles of Lightroom or Photoshop or a hundred other programs. In my experience, people tend to go overboard at first and then gradually become much more cautious about applying filters and adjustments. As I see it, the idea is to use these tools to enhance your message/impression, but not to make them the focal point. You want someone to say, “Gee, I ought to think differently about poverty/natural beauty/whatever,” rather than “Gee, I wonder what filter he was using to get this effect?” So, with regard to the images above, which one do you think most represents the reality or impression you wanted to make?
I never use the filters. So it was play time. My reality is the original BUT, many of the truly great photogs of the past used these tools, some consciously because they were serious about their work and some because that was the process available at the time.
The Nikon photo group on LinkedIn had a long discussion about reality, photoshop and photography. What constitutes “acceptable” manipulation. No group answer came to the front.
Although, let me add that I am quite fond of the sepia…
My roots are in photojournalism, where there’s an understandable emphasis on trying to achieve a dispassionate depiction of reality. And I’m not averse to filters, even though my command of, say, neutral density filters is sloppy. I had nothing short of an obsession with polarizing filters for a while. My only complaint is when the filter “trick” becomes more obvious than the message of the image. The late ad genius Jay Chiat used to criticize ads that used cheap effects to get attention as “doing tricks in public.” That’s kind of how I feel about certain manipulated images.
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